‘The best of a country’s history is written on its rivers.’ H.E. Bates
After the brutal fire season here in the Pacific Northwest, we have been trying to spend more time than usual in our beloved Columbia River Gorge. Not all of the trails and viewpoints are open yet–many will takes years to recover from the fires–but there is a reassuring amount of untouched beauty still to be had.
As is often the case, when I think of rivers, and their strangely mesmerizing power, I call to mind the words of H.E. Bates, in his work Down the River. Bates is primarily beloved as a novelist, and perhaps even more praiseworthy in the short story category, but I do treasure his nature essays. He has that same wonderful sense of recall as poet Laurie Lee, and the simple pleasures of the natural world–the streams, rivers, fields and trees around them–nurtured the artist in both men.

woodcut illustrations in my edition of Down the River by Agnes Miller Parker
Bates makes this interesting observation about the lure of water, and one I thought paired well with the idea of ‘serene‘:
‘Water shares with woods some power of tranquilizing the spirit, of quietening it almost to a point of dissolving it away; so that nearly all the best enjoyment of a piece of water comes from the mere act of sitting near it and doing nothing at all. It must surely be this power which attracts human beings in thousands to narrow strips of sand and shingle all over the world, which lures them to sit there… and gaze for hours at the expanses of sea and sky….’
For more on H.E. Bates:

Book and publishing notes: this cover is borrowed from the web, as it shows the British publisher page (Victor Gollancz, ltd, 1937) and my 1937 edition is identical except it is the American edition by Henry Holt and Co.